ຂ່າວ
“ ການທົດລອງຄອບຄອງ” ຈະດຶງດູດຄວາມສົນໃຈຂອງທ່ານອອກນອກ! [ທົບທວນແລະ ສຳ ພາດ}
Director, Writer, Producer, and Cinematographer Scott B. Hansen – Interview
iHorror: I watched the movie just the other day, and I absolutely enjoyed it! I try and watch a film first before I begin looking at other reviews on the internet. I kind of read a lot of people hitting hard with the first have not meshed with the second half and all that. I really did not see that at all. I felt as though myself and the other reviewers were watching two completely different films; I didn’t see any of that stuff. I really enjoyed how you brought the tech world into it.
Scott B. Hansen: That is all you see nowadays. We were an ultra low budget film; we had as much as James Wan did on one day to pay for his food on The Conjuring. [Laughs}
iH: The whole film itself looked very professional; I did not get that low budget vibe that you sometimes get when watching these flicks. The cinematography I thought was beautiful, where did you guys shoot at?
SBH: We shot in Virginia. All the sets and the basement were built out of foam to save money. We found the house; I love the house it was a great find. Some of the elements were just so hard to find in other parts of the country, but in Northern Virginia, we found this creepy house that kind of became sort of the character.
iH: Oh yeah, definitely.The Ouija Board that you guys used, that was pretty intense I had never seen one like that before.
SBH: Yeah, we did a contest between our two special effects guys, and they were battling out which Ouija Board they could make better. We had two of them. We had one that was a more blockaded letter, creepy, and old. The other one was just straight up like a demon made it, just crazy; it was the one that ended up in the film. It is pretty burnt out and bad, I actually still have it. I had to keep that one.
iH: [Laughs] Yeah that was pretty cool, I had never seen one like that before. Usually, in film like this you get the standard “Parker Brothers” look.
SBH: Making a couple of them was fun, and it allowed for us to put a little bit more love into the story
iH: When you wrote this film did you specifically write the role for Bill as the priest?
SBH: It is funny how Bill got that. I’m a huge fan of Bill’s. I was one of the camera operators on Texas Texas Chainsaw 3D four or five years ago. I had known Bill because I was trying to raise money to do my first horror film, you know I had always worked other roles to try and work up. I knew him barely, but I was friends with the director John Luessenhop who directed Texas Texas Chainsaw 3D. I randomly called him up and said, “Hey John I am looking for someone to be a priest, I really want to ask Bill, but I don’t know him like that.” So he calls Bill, he read the script and said yeah “Bill would totally be interested.”He called Bill, and he is like at his daughter’s softball game, and John told him about the role of the priest, “so, yeah do you wanted to be like raped by a demonic girl in the film?” and he goes “fuck yeah!”
iH: [Laughs Hysterically] That is awesome!
SBH: At a softball game for his daughter, that is kind of hilarious. He is very family oriented, but the guy is awesome man. We had gone out afterward and watched a movie Godzilla; this was shot a few years ago. He hung out with the crew it was really nice, it was a great experience, I love that guy.
iH: He fit the part, I was shocked to see him in this type of role, he played it off.It was like 110 degrees when we shot that. So all that sweat is real, we had no air conditioning, and we were sweating buckets in there. The girl Kt Fanelli that played the possessed was a trooper with all that stuff on.
SBH: It was like 110 degrees when we shot that. So all that sweat is real, we had no air conditioning, and we were sweating buckets in there. The girl Kt Fanelli that played the possessed was a trooper with all that stuff on.
iH: The makeup was really good.
SBH: Yeah, I tried to go minimal on the makeup, not too over the top and not too crazy. Simple but effective.
iH: It was enjoyable. Starting off the film with that type of build up and climax immediately really kept me interested in what was going to happen next and it was a nice change.
SBH: Yeah, I appreciate that. There are a lot of different opinions out there, but at the end of the day, we made it a fun film. Added a little throw back to Wes Craven in there since he had passed away. It was what we kind of set out to do and I am hoping that it gets out there.
iH: Yeah, it seems like it is so hard nowadays to do that. Even though there are so many outlets now with the internet, it seems like it is difficult to get that product out there.
SBH: It is crazy now because you can do it right on Facebook. It is just like “hey I am trying to make a movie, here is my card.”
iH: Did you do any research for this at all or did you just go with it?
SBH: Actually yeah, I had a lot of research done on it. I have done a lot of documentaries. I have been camera ops on real life possessions in Brazil. I have all this other footage I was going to use for sequel/prequel type of thing, I didn’t want to use it in this movie. I had just a lot of inspiration from just being there. There was a documentary that came out a couple of years ago that I did a lot of work on. I saw two that were just mind blowing to me. Just to see that kind of stuff in real life. When you go into a country it is a whole different ball game when you talk about possession. When you are in America it is like, [sarcastically] “Oh yeah, that’s great The Exorcist.” But when you go into another country, these people live that stuff everyday. Religion is huge. I was just blown away by the scale of belief in other countries compared to here [America].
iH: Are those documentaries available to watch? One is still being edited actually. And another one is
SBH: One is still being edited actually. And another one is a special; the director is another guy named Craig. He took me to a bunch of places, and it was just crazy, some of the stuff I saw was just some nasty stuff [speechless]. Great for research.
iH: Do you have anything else coming up that you can talk about?
SBH: We are working on another movie with Sid Haig and Bill Mosely, and the film is kind of like a throw back to Tales of The Crypt.
iH: ງາມ
SBH: We haven’t announced that project officially yet but we are going to shoot that in the middle of next year [2017].
iH: I am sure that will be one worth watching. Thank you so much for speaking with me today it was a pleasure, the film was great, keep it up, I really cannot wait to see what is next.
ຟັງ 'Eye On Horror Podcast'
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Morticia ແລະ Wednesday Addams ເຂົ້າຮ່ວມຊຸດ Monster High Skullector Series
ເຊື່ອຫລືບໍ່, Monster High ຂອງ Mattel ຍີ່ຫໍ້ doll ມີການປະຕິບັດຕາມອັນໃຫຍ່ຫຼວງທີ່ມີທັງນັກສະສົມຫນຸ່ມແລະບໍ່ຫນຸ່ມ.
ໃນເສັ້ນກ່າງດຽວກັນ, ພື້ນຖານພັດລົມສໍາລັບ ຄອບຄົວ Addams ຍັງມີຂະຫນາດໃຫຍ່ຫຼາຍ. ໃນປັດຈຸບັນ, ທັງສອງແມ່ນ ການຮ່ວມມື ເພື່ອສ້າງສາຍຂອງ dolls ການລວບລວມທີ່ສະເຫຼີມສະຫຼອງທັງສອງໂລກແລະສິ່ງທີ່ເຂົາເຈົ້າໄດ້ສ້າງແມ່ນການປະສົມປະສານຂອງ dolls ຄົນອັບເດດ: ແລະ goth ປັນ. ລືມ Barbie, ladies ເຫຼົ່ານີ້ຮູ້ວ່າພວກເຂົາແມ່ນໃຜ.
dolls ແມ່ນອີງໃສ່ Morticia ແລະວັນພຸດ Addams ຈາກຮູບເງົາອານິເມຊັນຂອງຄອບຄົວ Addams ປີ 2019.
ເຊັ່ນດຽວກັບຂອງສະສົມ niche ເຫຼົ່ານີ້ບໍ່ແມ່ນລາຄາຖືກທີ່ພວກເຂົາເອົາມາກັບພວກເຂົາລາຄາ 90 ໂດລາ, ແຕ່ມັນເປັນການລົງທຶນຍ້ອນວ່າເຄື່ອງຫຼິ້ນເຫຼົ່ານີ້ມີຄຸນຄ່າຫຼາຍຂຶ້ນໃນໄລຍະເວລາ.
“ມີບ້ານໄປ. ພົບກັບຄູ່ແມ່-ລູກສາວທີ່ໜ້າຮັກຂອງ Addams Family ດ້ວຍການບິດ Monster High. ໄດ້ຮັບແຮງບັນດານໃຈຈາກຮູບເງົາເຄື່ອນໄຫວ ແລະ ນຸ່ງເສື້ອດ້ວຍຜ້າລູກໄມ້ spiderweb ແລະຮູບຫົວກະໂຫຼກ, ໂຕຕຸ໊ກກະຕາ Morticia ແລະ Wednesday Addams Skullector ສອງຊອງເຮັດໃຫ້ຂອງຂວັນທີ່ເປັນຕາຢ້ານຫຼາຍ, ມັນເປັນເລື່ອງທີ່ໜ້າສົນໃຈແທ້ໆ.”
ຖ້າທ່ານຕ້ອງການຊື້ຊຸດນີ້ກ່ອນ, ໃຫ້ກວດເບິ່ງ ເວັບໄຊທ໌ Monster High.
ຟັງ 'Eye On Horror Podcast'
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'The Crow' ໃນປີ 1994 ກັບມາໂຮງໜັງສຳລັບການມີສ່ວນພົວພັນພິເສດໃໝ່
Cinemark ບໍ່ດົນມານີ້ ປະກາດ ວ່າພວກເຂົາເຈົ້າຈະນໍາເອົາ ການ crow ໄດ້ ກັບຄືນມາຈາກຄວາມຕາຍ ອີກເທື່ອຫນຶ່ງ. ການປະກາດນີ້ເກີດຂຶ້ນໃນຊ່ວງເວລາຂອງການຄົບຮອບ 30 ປີຂອງຮູບເງົາ. Cinemark ຈະຫຼິ້ນ ການ crow ໄດ້ ໃນໂຮງລະຄອນຄັດເລືອກໃນວັນທີ 29 ແລະ 30 ພຶດສະພາ.
ສໍາລັບຜູ້ທີ່ບໍ່ຮູ້, ການ crow ໄດ້ ເປັນຮູບເງົາທີ່ດີເລີດໂດຍອີງໃສ່ນະວະນິຍາຍຮູບພາບ gritty ໂດຍ James O'Barr. ພິຈາລະນາຢ່າງກວ້າງຂວາງເປັນຫນຶ່ງໃນຮູບເງົາທີ່ດີທີ່ສຸດຂອງ 90s, The Crow ຂອງ lifespan ຖືກຕັດສັ້ນໃນເວລາທີ່ Brandon Lee ໄດ້ເສຍຊີວິດຍ້ອນອຸບັດຕິເຫດໃນການຍິງ.
synapsis ຢ່າງເປັນທາງການຂອງຮູບເງົາແມ່ນດັ່ງຕໍ່ໄປນີ້. "ຕົ້ນສະບັບແບບ Gothic ທີ່ທັນສະໄຫມທີ່ດຶງດູດຜູ້ຊົມແລະນັກວິຈານຄືກັນ, The Crow ບອກເລື່ອງລາວຂອງນັກດົນຕີຫນຸ່ມທີ່ຖືກຂ້າຢ່າງໂຫດຮ້າຍພ້ອມກັບຄູ່ຫມັ້ນທີ່ຮັກຂອງລາວ, ພຽງແຕ່ຖືກລຸກຂຶ້ນຈາກຫລຸມຝັງສົບໂດຍ crow ທີ່ລຶກລັບ. ກໍາລັງຊອກຫາການແກ້ແຄ້ນ, ລາວຕໍ່ສູ້ກັບຄະດີອາຍາທີ່ຢູ່ໃຕ້ດິນທີ່ຕ້ອງຕອບສໍາລັບອາຊະຍາກໍາຂອງມັນ. ດັດແປງມາຈາກ saga book comic ທີ່ມີຊື່ດຽວກັນ, thriller ປະຕິບັດງານນີ້ມາຈາກຜູ້ອໍານວຍການ Alex Proyas (ເມືອງຊ້ ຳ) ມີສະໄຕລ໌ hypnotic, ສາຍຕາທີ່ເຫຼື້ອມໃສ, ແລະການສະແດງຈິດວິນຍານຂອງ Brandon Lee ໃນຕອນທ້າຍ.”
ໄລຍະເວລາຂອງການປ່ອຍນີ້ບໍ່ສາມາດດີກວ່າ. ໃນຖານະເປັນການຜະລິດໃຫມ່ຂອງ fans eagerly ລໍຖ້າການປ່ອຍຂອງ ການ crow ໄດ້ remake, ເຂົາເຈົ້າໃນປັດຈຸບັນສາມາດເບິ່ງຮູບເງົາຄລາສສິກໃນທັງຫມົດຂອງລັດສະຫມີພາບຂອງຕົນ. ຫຼາຍເທົ່າທີ່ພວກເຮົາຮັກ Bill skarsgard (IT), ມີບາງສິ່ງບາງຢ່າງ timeless ໃນ Brandon Lee ຂອງ ການປະຕິບັດໃນຮູບເງົາໄດ້.
ການປ່ອຍລະຄອນນີ້ແມ່ນສ່ວນຫນຶ່ງຂອງ Scream Greats ຊຸດ. ນີ້ແມ່ນການຮ່ວມມືລະຫວ່າງ ຢ້ານຫຼາຍ ແລະ ຟາງໂກເລຍ ເພື່ອເຮັດໃຫ້ຜູ້ຊົມບາງຮູບເງົາ horror ຄລາສສິກທີ່ດີທີ່ສຸດ. ມາຮອດປະຈຸ, ພວກເຂົາເຈົ້າກໍາລັງເຮັດວຽກທີ່ດີເລີດ.
ນັ້ນແມ່ນຂໍ້ມູນທັງໝົດທີ່ພວກເຮົາມີໃນເວລານີ້. ໃຫ້ແນ່ໃຈວ່າທ່ານກວດເບິ່ງຄືນທີ່ນີ້ສໍາລັບຂ່າວແລະການປັບປຸງເພີ່ມເຕີມ.
ຟັງ 'Eye On Horror Podcast'
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Hugh Jackman ແລະ Jodie Comer ຮ່ວມທີມສໍາລັບການປັບຕົວແບບ Dark Robin Hood ໃໝ່
ບົດລາຍງານຈາກ ມື້ກໍານົດສົ່ງ ລາຍລະອຽດ ຜູ້ອໍານວຍການ Michal Sarnoski ຂອງ (ສະຖານທີ່ງຽບ: ມື້ຫນຶ່ງ) ໂຄງການໃຫມ່ທີ່ສຸດ, ການເສຍຊີວິດຂອງ Robin Hood. ຮູບເງົາໄດ້ຖືກຕັ້ງໃຫ້ເປັນລັກສະນະ Hugh Jackman (Logan) ແລະ Jodie Comer (ຈຸດຈົບທີ່ພວກເຮົາເລີ່ມຕົ້ນຈາກ).
Michael Sarnoski ຈະຂຽນແລະຊີ້ນໍາໃຫມ່ Robin Hood ການປັບຕົວ. Jackman ຈະໄດ້ຮັບການພົບປະກັບ Aaron Ryder (The Prestige), ຜູ້ທີ່ກໍາລັງຜະລິດຮູບເງົາ. ການເສຍຊີວິດຂອງ Robin Hood ຄາດວ່າຈະເປັນລາຍການຮ້ອນທີ່ຈະມາເຖິງ Cannes ຕະຫຼາດຮູບເງົາ.
ມື້ກໍານົດສົ່ງ ອະທິບາຍຮູບເງົາດັ່ງຕໍ່ໄປນີ້. “ຮູບເງົາແມ່ນການນຶກພາບຄືນໃໝ່ຂອງນິທານ Robin Hood ຄລາສສິກ. ກໍານົດເວລາຂອງມັນ, ຮູບເງົາຈະເຫັນຕົວລະຄອນໃນຫົວຂໍ້ທີ່ຕໍ່ສູ້ກັບອະດີດຂອງລາວຫຼັງຈາກຊີວິດຂອງອາຊະຍາກໍາແລະການຄາດຕະກໍາ, ຜູ້ໂດດດ່ຽວທີ່ມີການຕໍ່ສູ້ທີ່ພົບວ່າຕົນເອງໄດ້ຮັບບາດເຈັບຢ່າງຫນັກແລະຢູ່ໃນມືຂອງແມ່ຍິງທີ່ລຶກລັບ, ຜູ້ທີ່ໃຫ້ໂອກາດລາວໃນຄວາມລອດ.
ສື່ເນື້ອເພງ ຈະໃຫ້ທຶນໃນຮູບເງົາ. Alexander ສີດໍາ ຈະຜະລິດຮູບເງົາຄຽງຄູ່ກັບ Ryder ແລະ Andrew Sweet. ສີດໍາ ໃຫ້ ມື້ກໍານົດສົ່ງ ຂໍ້ມູນຕໍ່ໄປນີ້ກ່ຽວກັບໂຄງການ. "ພວກເຮົາຕື່ນເຕັ້ນທີ່ຈະເປັນສ່ວນຫນຶ່ງຂອງໂຄງການພິເສດນີ້ແລະໄດ້ເຮັດວຽກກັບຜູ້ອໍານວຍການທີ່ມີວິໄສທັດໃນ Michael, ນັກສະແດງທີ່ມີຊື່ສຽງໃນ Hugh ແລະ Jodie, ແລະການຜະລິດກັບຜູ້ຮ່ວມມືເລື້ອຍໆຂອງພວກເຮົາ, Ryder ແລະ Swett ຢູ່ RPC."
"ນີ້ບໍ່ແມ່ນເລື່ອງຂອງ Robin Hood ທີ່ພວກເຮົາທຸກຄົນໄດ້ຮູ້," Ryder ແລະ Swett ກ່າວຕໍ່ເສັ້ນຕາຍ "ແທນທີ່ຈະ, Michael ໄດ້ປະດິດບາງສິ່ງບາງຢ່າງທີ່ມີພື້ນຖານແລະສາຍຕາຫຼາຍ. ຂໍຂອບໃຈກັບ Alexander Black ແລະຫມູ່ເພື່ອນຂອງພວກເຮົາທີ່ Lyrical ພ້ອມກັບ Rama ແລະ Michael, ໂລກຈະມັກເບິ່ງ Hugh ແລະ Jodie ຮ່ວມກັນໃນ epic ນີ້."
ຊານໂນສະກີ ເບິ່ງຄືວ່າມີຄວາມຕື່ນເຕັ້ນໂດຍໂຄງການເຊັ່ນກັນ. ພຣະອົງໄດ້ສະເຫນີ ມື້ກໍານົດສົ່ງ ຂໍ້ມູນຕໍ່ໄປນີ້ກ່ຽວກັບຮູບເງົາ.
“ມັນເປັນໂອກາດທີ່ບໍ່ໜ້າເຊື່ອທີ່ຈະສ້າງຄືນໃໝ່ ແລະປະດິດສ້າງເລື່ອງທີ່ພວກເຮົາທຸກຄົນຮູ້ຈັກ Robin Hood. ການຮັບປະກັນການສົ່ງສັນຍານທີ່ສົມບູນແບບເພື່ອປ່ຽນສະຄຣິບເປັນໜ້າຈໍແມ່ນຈຳເປັນ. ຂ້າພະເຈົ້າບໍ່ສາມາດຕື່ນເຕັ້ນແລະໄວ້ວາງໃຈໃນ Hugh ແລະ Jodie ເພື່ອນໍາເອົາເລື່ອງນີ້ມີຊີວິດໃນວິທີການທີ່ມີພະລັງງານແລະມີຄວາມຫມາຍ.”
ພວກເຮົາຍັງຢູ່ຫ່າງໄກຫຼາຍທີ່ຈະໄດ້ເຫັນນິທານ Robin Hood ນີ້. ຄາດວ່າຈະເລີ່ມການຜະລິດໃນເດືອນກຸມພາຂອງປີ 2025. ແນວໃດກໍ່ຕາມ, ເບິ່ງຄືວ່າມັນຈະເປັນຄວາມມ່ວນທີ່ເຂົ້າມາໃນ Robin Hood canon.
ນັ້ນແມ່ນຂໍ້ມູນທັງໝົດທີ່ພວກເຮົາມີໃນເວລານີ້.
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